With One Voice

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What's it like being Composer in Residence with Streetwise Opera? Read about @AnnaAppleby's experiences: https://t.co/Gz5gf1iQ7S
8 hours 35 min ago

Past productions

Photo: Lorena Mossa

Uma Só Voz

(2016)

'The spotlights of the world are on Rio, but there is a huge mass of people who are being ignored. They are human beings. That's our message'

CBC

The Passion

(2016)

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'I was tranfixed and touched... Stunning'  

The Times
Image by David Caines

To the Silkwood Tree

(2015)

People Watch

(2015)

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'A rousing chorus of hope and of TV’s transformative powers'

The Stage
Image by David Caines

The River Keeper

(2014)

'This was my first opera and I thought the performers and musicians were all fantastic – it takes courage to stand on stage'

Audience member

The Answer to Everything

(2013)

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'The satire was broad, the passion tangible as professional and amateur performers from London, Newcastle, Gateshead and Middlesbrough, many of them with experience of homelessness, explored the dreamworlds of corporate delegates, cleaners and health and safety managers.'

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The Indepedent on Sunday, Anna Picard

With One Voice

(2012)

'To highlight the creativity and expression of homeless people is very powerful'

 

Vita Nova, Paul Hawkins

Fables - A Film Opera

(2010)

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'A remarkable marriage of music and film'

Independent on Sunday
My Secret Heart artwork

My Secret Heart

(2008)

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'Reminding us that we turn our backs on the homeless'

Evening Standard

Critical Mass

(2007)

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'Refined theatricality… electrifying… great theatre'

Evening Standard

Whirlwind

(2006)

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'Epic in its stage pictures and intimate in its detail, delivering a profounder hope'

The Guardian

Rückert Lieder

(2005)

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'A vivid reimagining of Mahler’s songs'

The Guardian

Time Flows

(2004)

'Brilliantly imagined, strikingly original and deeply touching... fantastically impressive'

Opera Now

A Ceremony of Carols

(2003)

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'Astonishing and memorable... Invisible people, seen and heard centre-stage'

New York Times
The Canticles at Westminster Abbey, 2002

The Canticles

(2002)

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'Proof that it is worth investing in the arts'

The Guardian