Re:Discover

A triple bill of new operas inspired by the music

of composers of African and Caribbean heritage

co-created by Streetwise Opera

The project

HOW WE’RE GOING TO EXPLORE

A range of brilliant ideas and suggestions were offered by Performers in the Ideas Rooms that were held in each city as we developed the idea of what our next festival would be.

As Festival Director, Abigail Kelly wanted to provide an outline of what the project will look like; a shared understanding within which we will work to co-create the project. Here is a list of what we all understand the project to be, and not to be, as we embark on our next process together:

  • The piece will be three new stories inspired by the music of composers of African and Caribbean heritage first introduced by Abigail Kelly in Spring 2021. A new story will be created in each of London, Nottingham and Manchester to create a triple bill of new operas.
  • The stories will draw primarily on the music of the composers – what the music makes us think, feel and imagine. What pictures the music creates in our minds eye.
    Abigail has created a list of highlights suggestions, a Streetwise Opera playlist, of the music we will begin by listening to LINK
  • The stories might also draw on the essence of the story and journey of some of these composers’ lives; these are featured on each composer’s page.
  • Each new opera will be a contemporary (or near contemporary) story.
  • Each of the three new stories will mostly feature NEW music, co-created by Streetwise Opera performers and the composer. However, each piece will also feature one of those historic composers’ works, unchanged. The piece won’t change or adapt the composer’s music but the story will find a reason to feature this pre-written historic music.
  • The piece will not be a biography of any of the composers lives, and as such, will not be about specific historical eras or events. It is not possible to do justice to these in the framework of our performance project. Instead, space will be given for this research to be presented as part of the National Lottery Heritage Fund project.
  • The final piece will aim to be part of a Festival which will also feature additional performances of the original historic music (we’ll hope to work with some brilliant partners to achieve this).

The STRUCTURE

Summer 2023 (June – July): IDEAS SESSIONS

The aim is to get to know some of the amazing music by composers of African and Caribbean heritage.

To generate and gather lots of ideas, stories and responses inspired by this music and possibly the essence of the composers’ lives.

Some of these ideas will help us in the next stage of our process in the Autumn.

  • 2 sessions with Abigail Kelly (Festival Director) and music director
  • 2 sessions with a dramaturg (somebody who helps write stories) and music director
  • 2 sessions with the composer and music director

Autumn 2023 (September – November): MAKING AND WRITING SESSIONS

The aim is for the writer to draw on some of the ideas created by performers in the Summer and work with performers, composer, music director and director  to write a new 12 – 15 minute opera.

  • Sessions with the writer
  • Sessions with the composer
  • Sessions with the music director and director

Spring 2024 (January – March): REHEARSING

The aim is to rehearse the new opera ready for a PREVIEW PERFORMANCE in March.

  • Sessions with the music director, director and designer

Summer 2024 (May – July): REHEARSING and PERFORMING

The aim is to build on the preview performance, to work with a designer and opera singers, to rehearse the new opera so that it’s ready for final performances in June and July.

  • Sessions with opera singers
  • Sessions with the music director, director and designer

Backstage | About Re:Discover